Henrique can’t get over his breakup from Gabriela and, even a year later, he’s so devastated that he can’t get excited about anything or anyone else. To put an end to his suffering, he decides to take his own life, but as he doesn’t have the courage, he hires a company of hitmen who have just one rule: Once signed and paid for, there is no turning back. However, after signing the contract, Henrique and Gabriela cross paths by chance and she discovers that she wants to get back together. Desperate to find out who will be his executioner, Henrique becomes involved in a path full of tense and miraculous situations in order to save himself and finally be with the woman he loves.

Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.

José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.